Following this term’s absolutely brilliant plays (of course), Proteus reconvened to end the term on the 29th March with some of the best new pieces of theatre you’ve ever clapped your eyes on. We spoil you, we really do. It was also special in the fact that it was Mr. Benjamin Rushton’s first proper Proteus in charge (hence the alliteration), and everyone was vibrating with anticipation to see what he would bring to the role. He didn’t disappoint and neither did the pieces.
First up was A Poem of Fear, written by the now ex-Proteus Manager, James Staynings, and directed by our very own Properties Manager, Ivo De Jager. This short piece very much lived up to its title with a poetic and artistic interpretation of what fears lie at the heart of man and what that really means for us. It starred Ollie Jones (who is getting to be a Proteus Veteran now – good to see people coming back for more!) and Natalija Voskresenska.
Second on the veritable menu of dishes was The Want written by Laura Longworth and directed by Alex Hatcher. This dark piece played out as dualistic – on the one hand we had a man talking with his shed, turning over the darkness that he had committed inside, and on the other we were transported into the past to see exactly what the darkness was that this shed held. It was a first time appearance from Adam Robertson, who acquitted himself very well and we look forward to seeing him in future performances. Also in the spotlight were Michael Cooper, fresh from a great stint as Danny in James Staynings’ very own Stand Up & Jump, and Ollie Jones, who just can’t get enough of Proteus apparently!
Last, but by no means least, came Writer’s Block, written by Alex “Trollface” Thompkins and directed by Proteus Veteran and consummate professional James Ward. This was a rather silly piece (I mean that in a good way!) with a hint of Monty Python about it. Calvin “Edward from Twilight” Ward (no relation) starred as the eponymous writer, struggling to come up with a funny and original idea for a Proteus sketch (Sketchception, right?) and Kat Ravlic starred as his back seat critic and ideas contributer. Each idea was demonstrated in the thought-world by Alice Murphy and Loriane Béhin, who were crap knights (intentionally) and druggie fish. When asked to push the boundaries of taste by their creator, these plucky shape-shifters got the hump and did what any normal person would do – formed a union and went on strike. It was a silly, laugh out loud way to end the show and the term.
Following these pieces all of LUTheatre got together for a jolly old knees up – LUT & The Chocolate Factory social (special thanks to Cynthia Onyilimba) and that was it for another term. Proteus will return after the Easter break, but in the meantime you’ll have to console yourself with inferior quality brands. Sorry.